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There are quite a bit of editing functionallities on them as well and even though you will not be able to entirely get rid of a keyboard for that, as you guys already discovered yourself there's some great workflow enhancers directly on the controllers for editing as well. The primary use for these controllers is of course mixing. Hopefully, some of the veterans will really shed some light. I just started using the comping features of PT8 and find that the D Command sure helps with my work flow. This is useful for auditioning or precise selecting for punch ins.ĥ. precisely selecting regions for using the mark in and mark out with the wheel. arming and disarming tracks for recordingĤ. I know that these will be mundane to the seasoned D command users:ġ. The following are a couple of tasks that I use for tracking. I dislike the mouse more than the keyboard. When possible I force myself to do almost everything on the D Command. I moved over to PT about a year ago and got the D Command last fall. I agree that the D Command shines at mixing but would say that it just as strongly shines at tracking. I am a novice with D Command but still think that it is the best move that I have made with my recording setup in many years. I'd appreciate any thoughts on the subject. I entertained this fantasy briefly that I'd be able to do almost everything I needed on the board, but it's looking much more it shines at mixing, but everything else is better left at the keyboard-mouse level. I enjoy working all aspects of the production process, from composing-arranging all the way through to bringing it to the mastering guy. This isn't a sales question, I have one here that I'm working on. I'm trying to wean myself away from using the keyboard as much as possible, but I need to get a better idea of what limits I can expect. I was encouraged as I began looking into the trim-shuttle-navigation capabilities, but I'm not seeing very elegant ways of track comping, nudging regions, defining fades, etc. I get how it can be used for recording or mixing, but I'm still trying to see how far into the minutia of audio manipulation you can get with it.
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So there is a definite advantage to being on Pro Tools and S6 support plans.I'm still getting my head around all the reasons to use the DCommand.
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If you use old S6 software with new DAW adapters, your mileage may vary, you won’t have access to the latest development on both sides. It’s above and beyond what EUCON in the EuControl world does, and takes substantial development. S6 is a separate technology base and delivery target for features.Ī lot of features are S6 specific, and are not realized in EuControl surfaces. If you use new EuControl software with old adapters, your mileage may vary. 3P's are variably incentivized to implement SDK features, so if control surface integration is important to you, the latest version of Pro Tools is the best solution. It's a priority to us to implement the latest features.
That's why there is an advantage to being on the latest version of Pro Tools when you have an EuControl/Artist/S3 surface, the latest version of Pro Tools will have the latest adapter.ģP's can implement features after Pro Tools does, when we make them available in the public SDK. The Pro Tools adapter gets features first. With EuControl/Artist/S3, features are delivered in adapters. This is about as close to the truth as you can get.
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So you will probably need to update nuendo at that time as well which will require you to pay Yamaha?
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Because when they add a feature to eucon, they need to change the code in pro tools to support that feature.
I don't think you need a pro tools support plan for nuendo/eucon updates.
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